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Indie 103 : ウィキペディア英語版
KDLD

KDLD is a commercial radio station in Santa Monica, California, broadcasting to the Los Angeles area on 103.1 FM. KDLE is a commercial radio station in Newport Beach, California, broadcasting to the Orange County area on 103.1 FM.
KDLD & KDLE air a Spanish-language music format branded as "Jose 103.1" on its analog and main HD Radio signal.〔http://www.hdradio.com/station_guides/widget.php?id=36〕 The format is Spanish Adult Hits.
"Jose" has studios located in Los Angeles' Miracle Mile, and KDLD's transmitter is located in Baldwin Hills, while KDLE's transmitter is based in Irvine.
==History==
The 103.1 frequencies in LA/OC operated as two separate stations prior to the 1990s, KSRF in Santa Monica and KOCM in Newport Beach. Both signals carried a B/EZ (beautiful music/easy listening) format in the 1960s/1970s and AC (adult contemporary) in the 1980s but targeted for each specific beach community. 103.1 Santa Monica was known as K-Surf (which was brought back for a time on 1260 AM as KSUR, an oldies-formatted station and simulcast on 540 AM as XESURF before the two frequencies flipped to adult standards, then to country—which has since moved to 105.1 FM as KKGO "Go Country 105"—then the 1260/540 simulcast flipped to news/talk and at the same time, 1260 reverted to its original KGIL call letters, later flipping to "Retro 1260", a mix of oldies and adult standards, while the 540 frequency is now the San Diego-market affiliate of Radio Zion, still using the XESURF call letters) and 103.1 Newport Beach was known as K-Ocean. The carriers of the two transmitters were synchronized to try to create a continuous coverage area between the two locations.
The first format on the synchronized signal was Rave inspired MARS-FM, using the call letters KSRF/KOCM, from late 1991 through late 1992. Club D.J. Swedish Egil accepted a rare opportunity to develop his music director skills and visionary style when he left KROQ-FM in 1991 to join L.A.'s new MARS-FM, along with fellow KROQ-FM alum Freddy Snakeskin who became MARS-FM's program director. The station became well known for its role in introducing America to the techno/rave music phenomenon where Egil was responsible for "picking the hits" and breaking new artists. Egil and his leased time format were dumped by owners seeking a more mainstream station. 103.1 became a jazz format station as Jazz FM 103.1 using the call letters KAJZ/KBJZ, followed by another format change to CD 103.1, an adult contemporary format using the call letters KACD/KBCD.
In 1996, Swedish Egil returned and launched "Groove Radio 103.1 FM", fulfilling Egil's dream of expanding his syndicated weekly 3-hour "GROOVE RADIO" program, previously heard in Los Angeles as part of the nighttime "Renegade Radio" show on KWIZ, into the first full-time 24/7 format in America devoted to new dance music and to the art of the DJ. Groove Radio 103.1 gained an unprecedented notoriety for its innovative programming and groundbreaking music format that became the catalyst for dance music's exposure across the entire United States. Groove Radio had a morning drive time show hosted by Jim "The Poorman" Trenton, a L.A. radio icon and one of the two original co-hosts of the radio show "Loveline" from KROQ-FM, currently hosted by the other co-host, Dr. Drew Pinsky.
In 1998, Egil was forced out of the station after the owners once again decided that they wanted the station to go in a mainstream direction. The owners switched it to a Rhythmic Contemporary format as Groove 103.1 (since Egil owned rights to the "Groove Radio" name), but after the flooding of negative feedback crashed their voicemail system, they brought the Dance format back a week later, relaunching with the song "Children" by Robert Miles and continued with an electronica-intensive Dance Hits format for a year. The station signed off on October 12, 1998 with the song "Children" by Robert Miles, the same song they launched the new dance format with.〔("Groove 103.1 Switches From Rhythmic CHR Back To Dance" ) from Format Change〕
In late 1998, Jacor Communications (later Clear Channel Communications, now iHeartMedia) purchased the station. After Groove Radio signed off, it went into a stunt format for the rest of the day airing a repeat of the Spice Girls' "Wannabe", and afterward became a simulcast of 102.7 KIISFM. Two weeks later, the simulcast ended and the new format began as Channel 103.1 programmed by Nicole Sandler, playing a mixture of a new format called "Adult Alternative", including Dave Matthews, Tracy Chapman, Toad The Wet Sprocket, Tom Petty, Keb Mo, Led Zeppelin (with a standing rule that Stairway to Heaven would get absolutely no airtime), Pink Floyd, Dramarama, Beck, Vertical Horizon, and many others of similar caliber, spanning from the late 1960s and into 2001. The station was alternately titled World Class Rock, which they stuck with for their lifespan. They had a very small staff who ran six hour shifts (a change from the otherwise normal four-hour shift that most jocks took), with program director Nicole Sandler taking the afternoon shift, and Andy Chanley handling the mornings from 5:30 AM until well after noon.
In late 2000, after Clear Channel merged with AMFM, it was determined that 103.1 FM had insufficient coverage for the Los Angeles basin. Sandler realized that her station would be one of the casualties of the merger. It was decided that Channel 103.1 would be the first radio station to go off the air and transition directly to the internet on a full-time web stream at channel1031.com and worldclassrock.com. The broadcast station was sold to Entravision Communications, a company better known for its Spanish language outlets (because Clear Channel found itself over FCC ownership limits due to another merger). Entravision flipped it to Spanish Hits "Super Estrella" under the call letters KSSC/KSSD.
In 2003, Entravision moved the "Super Estrella" format to their newly acquired 107.1 signals from Big City Radio, which today use the call letters KSSE/KSSC/KSSD. 103.1 FM was flipped to Dance Hits format KDL 103.1 using the call letters KDLD/KDLE. The format was modeled after KDL 106.7 KKDL in Dallas, Texas. Groove Radio had been out of the market for several years, and appetites had changed, and message boards accused the programmers of being too mainstream, but the ratings 18-34 were solid given the signal. It certainly caused enough competition to KIIS to gain Clear Channel's attention. Clear Channel stepped in again and paid Entravision to change the format to a more Rock leaning format, eliminating the competition with Clear Channel's KIIS and directing it toward CBS Radio's KROQ-FM.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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